next up on murmur sees the addition of a new artist onto our roster of talent. london based hamids debut features the vocal talents of valentina, her sultry vocals laid over an intoxicating deep house ride, perfect for those after hours vibes. up & coming talent jay shepheard provides the first remix. fresh from his latest excursion on this own retrofit label, jay firms up the beats & percussion, adding a catchy b line and twinkling synth work into proceeding. finally, inxec & andrei osyka up the stakes, taking the core elements of hamids original and taking them to new euphoric heights with an altogether more epic vibe.

neon dreams is the debut album from london-based producer and night slugs co-founder james connolly, aka l-vis 1990. across 15-tracks and 55-minutes, james distils a lifetimes worth of musical influences and experiences while conveying the story of the last 12 months in his life through vocalists samantha lim and javeon mccarthy. 2010s *forever you* single, which featured mccarthy, was a key jumping off point in establishing the overall vibe of neon dreams. the track features here as a slimmed down, 3.5 minute version. this length represents approximately the average track-duration across the entire lp, and is indicative of james long-held desire to proffer an album in very much the traditional sense of the term. further vocal turns come from co-founder of the sound pellegrino imprint and french hip-hop outfit ttc, teki latex.

black market records from london was without a doubt one of the influential labels in the early nineties with several great releases and a blooming store in soho. we are happy to see that some of their classic releases will be made are available again! first in a series of classic re-issues from their archives includes the amazing de-lite wild times remix by derrick may! arguable one of his best remixes he ever did.. and still able to touch the hearts! on the flip a piece of classic house music by desiya that ruled the dance floors for months in a row (no1 in the billboard dance chart!). a nice document of tunes that influence many. and man... we cant stop playing that amazing remix by mayday!

nice price deal !!! cyan341 is east london producer mark streatfield… following critical acclaim for his previous releases on uncharted audio (one of which was licensed by renaissance for james zabielas masters series mix), smallfish, kreislauf and his own rednetic imprint, and ahead of his debut album (also forthcoming on ua), this new 12 inch showcases >disconnected<, a track exclusive to this release, alongside a range of remixes from some of the hottest underground talent that techno has to offer. already counting such luminaries as move d and benjamin brunn among his fans, his new material is set to gain him a lot more.
dj support from seth troxler, terry francis, colin dale, harri, dvs1, paco osuna, moodymanc, rio padice, alan fitzpatrick, anderson noise, carl taylor, semtek, benoit, and more…

guess whos back with a second release ? we are delighted to have alain ho ( ovum / composite / we play house / freerange / buzzin fly ) on board for this ep … alain gave us a true piece of deep house with his track called into a deep & he also teamed up with dogmatiks head honcho , london-based alex arnout to give us another brillant track entitled your love … we are also proud & honoured to have hot toddy from crazy p ( 2020vision ) , john daly ( drumpoet community ) on remix duties .

lower east launched in the summer of 2010. it was the result of a coming together of 3 likeminded friends: cozzy d, lee brinx and ed kane (kanio/dexter kane). all established members of the london scene in their own right, they combined forces to create a label with one simple ethos: quality electronic music. whilst the idea itself is unified, the influences are vast. disco, techno, garage, hip-hop, drum and bass, jazz, 80 s and soul all inspire lower easts subtle blend of 4/4 beats. notable artists on lower east include: lee foss, gavin herlihy, robert james, uner, nima gorji, pezzner, richie ahmed, puente and rosche, waifs and strays, and death on the balcony.

brandnew ben sims album with a fresh 2011 sound ! feat. blake baxter & tyree cooper

the history clock is most certainly alive and ticking with this incredible release from argentinian duo, djs pareja. you may be familiar with some early tracks that they have done for matias aguayos peerless comeme label (their excellent ghetto rhythms, kenia and tribal scream), and this is a perfect follow-up. >psycho rhythm<, the appropriately-titled lead track is a brilliant, mid-tempo, mildly-disturbed outsider house / ebm-shocker, coupled with the absolutely perfect roska / uk funky-esque, tropical rhythm of >pampa room<. a track that joins the dots between the bumbumbox parties of buenos aires, the boiler room nights in london and the boxes of the more forward-thinking djs on rinse fm. balearic music fans will immediately fall in love with >spanish is beautiful< - in both original and alejandro paz (comeme / huntleys & palmers) remix formats.

south of croydon raised christian sibthorpe (aka a1 bassline) sent over a few things over the last 12 months that really had me paying attention. but it was jessica (j. phlip) ended up being the first one to drop falsehood at the spring dirtybird party in sf which pretty much sealed the deal. it just smashed the room to bits. later on i met christian in person when he helped me do a live radio show at rinse fm in london along with ben westbeech and we agreed there that dirtybird would put these two tracks out.a1 claims to have been heavily influenced by early metalheadz and you can really here it on these tunes. while buoyancy is a smooth pulsing affair that really shines in the deeper mixes, falsehood (which we are re-releasing from a1s tighten up label) really buries the hatched in your brain with bits and pieces of 808s, breaks and house hi-hats all forged together like hot iron.

good stuff is the first single taken from luomos plus album, appearing in september 2011 on moodmusic records. luomo aka vladislav delay, sistol, uusitalo… under a raft of names finnish artist sasu ripatti has in the last years experimented with ambient, broken beat, glitch as well as grooves and house music with soulful vocals, working with scissor sisters, black dice, apparat, craig armstrong, massive attack, robert owens and towa tei. luomo is about experimenting with pop music, a big influence for ripatti, and bringing it to a fusion of house, disco and electronica. plus is the 5th album for luomo, taking the songwriter abilities of ripatti to a new level, dwelling deep into first generation chicago house and the pop sensibilities of 80s london, coupled with his impeccable crossover pop appeal. never going for a one formula approach, plus has a distinct luomo sound - hypnotic, sexy and delicately insistent, rhythms following a self-movement and never standing still. good stuff brings luomos pop abilities to top-form, changing between a mid 80s boogie bass and synthetic yet warm deep house with a positive vocal deliver from the ever intriguing chicago boys. remixes comes courtesy of area & dave dk.

these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein hes distributing straight dope, however, in the sense of emotional impact – dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated >author-future-pop< for the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos.

next up in the sofrito super singles series is the highlife underground ep – celebrating the bassline heavy sound of 80s highlife.
on the a-side we have teamed up with new london producer drumtalk for a remix of ghanas mpese mpese band. initially released in 1986 the original track was an extended medley – the remix balances the swing of the original with heavy bass and chopped chords, bringing the track up to date while respecting the vibe of the original – an intense example of futuristic highlife that bridges the gap between hackney and accra.
the flip sees the sofrito crew present a killer groove courtesy of the canadoes dance band, originally released on the rogers all stars label in 1982. a minor key intro drops into bouncing drums, handclaps and a bubbling bassline that build and build into a deep and unrelenting groove…

oxford/london/leeds based newcomer graphics is responsible for the first release on the long gestated granholme label. brian eno was once quoted as >not wanting to contribute to the glut of cds< in the world. granholmes ambitions as a label are modest, but if we can do anything to detract from the glut of painfully beige electronic music available in 2011 then that will be considered a small victory.

next up on crosstown rebels offshoot label rebellion is london-based producer tim green, showcasing his range with an ep crossing disco with deep house grooves

mainakustik presents paride saraceni, from italy who is living in london right now. he delivered two melodic techno biggies for the floors. the title track >walking with the moon< is a warm melodic tune perfect for the late hours. >dreaming tomorrow< is more danceable and floor orientated. remixes comes from no one less then legowelt. his remix sounds like a space journey. the other remix is from our good friend daniel mehlhart who has just started his own label. first pressing comes in transparent orange coloured limited vinyl!

early support: adonis smith, hakim murphy, neville watson, perseus traxx (future flash), anthony shakir, david vunk (moustache records), massimiliano pagliara, mass prod, ksoul, photonz (one eyed jacks), boris noiz, ali renault (human shield recordings), humandrone, michael eldridge, rick hopkins (thunder, london), terrence sinclair allen, john heckle, lula circus, eddie richards, alexxei n nig (exprezoo), rufus (bosconi records), moody manc, merrick brown, g marcell marcell, edoardo scarpellini (aka e-dward!).
locura present the second vinyl of our brand new imprint, locura records. they are trying to involve the best underground artists, focusing on the first chicago sound, with deep, acid and disco elements. this record starts with our collaboration with ennio colaci, half of minimono (oslo, bosconi, tuning spork), >the keeper of dreams<, remixed on the same side by the highly acclaimed german duo snuff crew (gigolo, rush hour, snuff traxx). the 3 tracks b side will contain 3 originals by meschi (lunar disko), rio padice (tsuba, morris audio) and takeshi kouzuki (mathematics).

after a short production break, the russian techno duo easy changes (denis cast & kilrill silas) are back with a 12 inch on the berlin/london based label, mean records, run by cesare marchese (cesare vs disorder) & federico benedetti (onirik). the lion is also a good drummer fits in nicely with the labels love of minimal techno productions that feature original sounds, moody melodies and deep aural landscapes. easy changes gained recognition in 2007 with two back to back hit releases on foundsound records. in 2009, they were the first ep from nervmusic, a moscow based label that focuses on unconventional techno started by cast, silas and friends. seated comfortably between the avant-garde and the dancefloor, the release has something for everyone. the title track, the lion is also a good drummer is an epic, crawling minimal techno production filled with stripped down percussion and abstract found sounds perfect for after-hours. on the flipside is the uptempo, quirky and tribal burlesque, replete with spliced vocal samples, snares, cymbals, bleeps and claps. for the burlesque remix, french producer doubtingthomas shows off his lifelong obsession with percussion and its rhythmic allure with the addition of a trippy drum solo midway through the track.

erste single aus dem debüt-longplayer des berliner djs und produzenten till von sein (trenton, morris audio, dirt crew), das ende oktober auf suol erscheinen wird. >non existent love< ist eine kollabo mit tigerskin. an den vocals: meggy & lazarus. die remixe dieses deepen acid-juwels kommen vom baskischen produzenten el_txef_a und jozif (wolf + lamb, fist or finger) aus london.

the moreaboutmusic label launch the secret weapon series for long lost gems and future classics, inspired by the sounds of early chicago house, sheffield bleep and detroit techno. secret weapon #1 comes from deep space orchestra with the future deep house classic >hold me back<, remixes come from disco don cosmic boogie and acid house scientists paranoid london. deep space orchestra deliver the goods with >hold me back<, a stripped down, nu-groove, mr fingers inspired, deep house jam. a simple kick and cymbal pattern builds slowly into a layered percussive house groove, with a pulsating juno bass line. organ stabs tease in and out of the track that build up to a hypnotic hook. the layered rhythms build, whilst a vocal stab teases in and out of the track, layering sounds and sonics, before dropping back onto an irresistible jacking house groove. the remixes are adding some fine flavors to this excellent debut release of mam records.

london based dj and producer brackles makes his debut as a rinse artist with his new 12 inch release, released on august 8. brackles has steadily built a name for himself as a dj and producer to watch after he started djing at 15 years old, going on to be a regular at londons world famous fwd>> club night and with his own weekly show on rinse fm.
as a producer he has released several highly sought-after releases for some of the best labels around - planet mu, appleblims apple pips label, berkane sol and numerous releases on his own blunted robots imprint with co-owner shortstuff.
brackles dj sets are renowned party starters, energetic and elastic, effortlessly taking in funky, grime, vintage 2-step and bassline. this 12 inch, a taster from his upcoming rinse presents full length release, encompassing all of that without losing that unique brackles production sound. catch brackles every thursday 3pm-5pm on rinse fm 106.8 fm london and www.rinse.fm

redux drop the first various artist e.p in their history and pull together some of their favourite track-smiths to deliver a selection of dance floor goodies. spanning the globe from london to new york to down under in melbourne, the music trawled on the first in the series all share the same aim… to make you dance.

out 26th of sept. mikkel metals new tartelet ep travels deep into the spectral voids of space. empyrean pads and raw drums reverberate in our ear meatus on cassini -soft kicks with shrill claps and a prodding bassline bringing back memories of mikkel metals earlier dubby excursions. phasing, relentless, and a favourite in the early hours of both the night and morning, cassini has everything needed to become a mainstay for all djs brave enough to venture beyond our known realms. mazurski, a galaxy of beaming details and radiant synthlines colour it deep, while the echoes of light gone by envelops the transient listener. following on the same side is the dub version (vinyl only), outlined by a scrapping kick, filtering sequences of sonic waveforms and abraded sub-basslines. all this rough beauty is fully submerged in a crystal pond of levitating strings and sparkling monotones. these cuts will transport you beyond, both in front of properly charged sound systems and laptop-powered earphones. referencing both the recently resurrected new age wave and the analogue power of london, mikkel metal has brought a completely new dimension to the tartelet universe, the quality is undeniable, the construction timeless and the foot-tapping ensured, so get floating.

panther veil is the debut release on dublin based apartment records. over the 3 tracks london producer ncw explores various avenues of house music in a stripped back, unique fashion. opening with the slowburning, detroit-tinged swing of veil, the flip serves up the bent out of shape jack of my braindead acid, while panthers relentless late night groove rounds things off in a blurry haze

terror danjah finally returns to the airwaves with his first new material since 2010s >undeniable< album on hyperdub. the masssively-anticipated >full attention< is the first step in the resurrection of his patented rhythm & grime sound, the style he made his name with in the early noughties with vocalists like shola and sade ama. this time out, ruby lee ryder is his voice of choice, and her distinctive vocal has already landed the track on the bbc 1xtra playlist, with further spins on radio 1 and rinse fm, and its a fixture in the boxes of djs like skream, mistajam and target. advance club promo has generated a ridiculously positive response right across the board, with hard support from brackles, swindle, alex nut, blackdown, wylie, and many many more, setting the scene for >full attention< to become an anthemic club and commercial hit as soon as it reaches the shops. on the flip mr danjah drops his trademark gremlinz logo for two 8 bar grime smashes that have been doing the rounds on rinse fm for the last half year. >east village< is a toast to the nights hardrive label hosted at the london club of the same name, and >jeckle & hyde< (exclusive to this 12 inch) has been battered in the raves by logan sama, zomby, and elijah & skilliam just to name only a few. this marks the beginning of a hefty release schedule for the grime kingpin including more high-impact singles and remixes on the way for greensleeves, butterz and hyperdub.

barcelona-born rainer grew up in california, but it was his move to london in 2007 which led him to start collaborating with cesare vs disorder, playing out around town and beginning his production career with the popular >neuralgia< under his belt. the obvious next step for him was to hitch his wagon onto the well-traveled route onto berlin where he now presents his second release on cesares serialism records. >x-berg to san diego<, a production in conjunction with the labels head honcho, a paean to his newly adopted stomping ground and the town of his youth. a tough house beat leads with a funky guitar picking out groove along the way, an oscillating vocal hovering into earshot as old-school snares jack it up.

music always played a significant role in the life of javier viudez and rainer serrat and the quest for the music made them leave their hometowns mallorca and barcelona and move to london where they met each other and started sharing a studio in 2004. constant flow of releases on labels like serialism, safari electronique, vinyl club and serious club gigs followed. here javier and rainer kick off a new chapter and team up for 4 tracks, tales of lost memories and other-worldiness of early morning hours, that were some of the best kept secrets of loco dice sets this summer. the repetitive title track “scusas” with its hypnotic, scale wandering staccato bassline, >rainer nostalgia< with its uplifting vocal shouts, the timberlake infected, driving >nuevo cedar< or any other piece of this collection, these boys seem to have a golden hand for stripped down grooves

the finest moustache bearer since selleck rocked the tv as magnum pi returns. thats correct, sccucci manucci drop a long awaited second release on the fledgling imprint, enlisting a premier cast of continental friends to lay down some class a discoteria! securing the talents of runaways jacques renault is no mean feat for the self styled purveyors of fine music, and the on the prowl boss serves up a beefy disco funk edit in the vein of his killer public release twelve from last year. in support, a cast of rising uk talent serve note of their budding prowess, with tenth circles zoo look indulging in some monstrously expansive beatdown a la the revenge on the aptly titled >early doors<. casino times provide the why didnt i think of that moment with >thats the truth<, a bashmore style take on the de la soul & chaka khan collab which has been burning up sound systems from london to petrcane this summer. young one picture house ends proceedings with aplomb on >blaxploitation< a gritty shaker reminiscent of eddie c in his pomp.

bbp recordings is back with another hot 12”, vinyl of party bangers from one of the key players in the nu funk/ghetto funk scene - kool hertz from london. a 4-track ep of absolute dancefloor dynamite that are gonna slap around funky crowds all across the globe. pumped to the maximum with funky breakbeats, banging ghetto bass and samples from good ol’, days –,- this is a sure shot for all funky djs.

afrobuddha is the hotly-awaited new music project from east london-based japanese producer/dj duo kay suzuki and koichi sakai, arguably two of the biggest and most respected names pushing at the boundaries of the capitals independent world music scene over the last five years. the first release to hail from the afrobuddha banner will be obame, a powerful collaboration with the kakatsitsi drummers, a ghanaian drum and dance troupe, featuring pioneering drummers from the ga tribe of southern ghana, with their roots in the fishing community of jamestown. they combine traditional drumming grooves, played on a wide variety of west african drums, with melodies from bamboo flutes, xylophone and folkloric chants in stunning harmony. the track fuses their intoxicating raw drumming, traditional chants and bamboo flutes with afrobuddhas unique rendering of modern dance music to create a truly spiritual dance music of our time.

this is the second album from bell and is a mix of robotic funk electro, funked up twisted disco and classic 808 acid. bell give us analog synthesizers and digital techniques to bring us robotic arcade-system electro. deeply complex electronic material, deep basslines, superb production, ranging from unremittingly catchy to dark, creating truly a formidable electronic album. bell are dan crouch and adrian stephens from london and supporters of bell range from andy weatherall to carl craig.

traxx ep is the first reference by argentinian born / barcelona based brand new label music, women, money. opening release is produced by label founders, argentinean talents ignacio sietetrece & lucianno villarreal, and includes remixes from legendary philadelphia producer someone else and one of the most promising artist to come out of the south americas underground scene, may segui. mastering was made by shanemcenhill (the streets, skream, faithless) at finyltweek studios, london.
label aspiration is to bring to light new artist offering fresh and renovation ideas to the electronic music scene, mainly focus on deep house sounds.

music from the film *black to comm*, recorded at the 2008 meltdown festival at the royal festival hall in london. pressing on red vinyl.

tom giles previous twelve on modern soul saw him flex his muscles as a producer of sample-based wonky disco. this latest release, however, shows him stepping up to the challenge of crafting heavy boogie gems from scratch – with not a sample to be seen. the 12 inch kicks off with colour theory, a memorable mid-tempo number where crisp snares cracking between a lithe synth-line and a funk-bass backbone, featuring alex farrell of the london afrobeat collective on guitar. its a boogie daisy-cutter, packed, primed and ready for dropping on discerning dancefloors.

the deadly combination of two of the hottest new skool producers tyke & prestige return with two huge dancefloor smashers. >scorpio< is a rolling, jungle influenced track, with influences from the early full cycle and dope dragon catalogue, brought bang up to date with todays exceptional production standards. >immortal formula< is twisted bassline madness in full effect - more of an experimental offering, this is one for the serious bass heads!
since his solo ep dropped on grid, tyke has received plays from right across the scene including spins from andy c, london elektricity, hazard, and artificial intelligence amongst others.
prestige has been quickly rising through the ranks over the past 12 months, and is fast becoming one of russias most well known d&b names, with an impressive catalogue of d&b smashers already under his belt.

different is extremely proud to present you its upcoming new single >jus acid< from the french, london based producer abstraxion, including huge remixes by jacques renault, in flagranti and cosmo vitelli.
abstraxion is currently one of the most exciting up and coming producer. already garnering critical acclaim from his previous eps, including support from on erol alkan, simian mobile disco… he is also a gifted remixer and is in demand having remixed this year black strobe, hey today!, inflagranti and many others.
>jus acid< showcases abstraxion banging acid techno – building schizophonic basslines on his old analogs synths, ace dancefloor track: >this is just acid<.

how do you follow-up last years monster mr.spock? of course with something even more ghetto, more dirty and more fun. lezgo is the 2nd collaboration between justin martin and ardalan, a curious bay area duo of master and apprentice that seems to be magic in the studio. this time they delve deep into the footwork meets house sound delivering cool r&b respites inside mega booty grooves for 3 minutes then letting down the hammer on the kick drum in the finale that kills every time. this is the type of tune that gets everyone moving and smiling and makes you wish you had 10 of them just like it in your bag. i ve played this to every type of crowd from techno chin scratchers to college kids, festival crowds, london know-it-alls, fund raising 40+ year olds, deep house heads, post dubsteppers, basement afterpartiers, hip-hop crews, disco kids and straight up ravers. it works everywhere and thats the sign of a big tune.

already played by sven väth, seth troxler. joris voorn, tiefschwarz, reboot... the london resident ross evana already excelled as dj at pacha nyc, at ministry of sound london or in the we love space series in ibiza. his track >thrilla in manila< first takes its time to build up before it sets a tremendously powerful exclamation mark on the dancefloor with its tropical-hypnotic percussions. with its second track, the ninth edition of cocoons 10 inch -series leads us to the land of the midnight sun. the two stockholm-born cousins alex caytas and aleks patz have started their musical collaboration only in 2007 but can already look back on a hand full of very good produced releases for the stuttgart-based label parquet recordings and the italian label caremella, as well as on remixes for martin dawson/king roc and voltique. >blue sea< shows the duos affinity to the energetic deep house techno of the nineties: with its organ sound, blues vocals and a highly infectous bass line, this track could almost pass as a modern and uncluttered version of st. germain, being predestined for warm summer nights. this is how techno sounds in 2011.

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

terranova are hardly a new name on the scene. fetisch, its leader has lived on the international nightlife circuit since punk took over london. remember lcd soundsystems >losing my edge<? well, he was there. and he is still hungry. heralding the new terranova album (out early 2012), this double-headed single has classic written all over it. >i wanna go out< is an acid house anthem of the highest caliber, an ode to nightlife, a possibel mantra for all of us. >take my hand< features khan on vocals and takes you down a darker road. its clanging metallic percussions makes us think of einstuerzende neubauten in bed with herberts radioboy/wishmountain project. its deep, its good and it leaves us craving for more... welcome on board: terranova!

needing little introduction, london based producer roof light has been making big waves on the underground garage/post-dubstep scene since his groundbreaking debut >in your hands< ep for styrax some 21 months ago.
since then his resume has somewhat multiplied, with a string of releases on esteemed labels such as millions of moments, prolific, l2s, and highpoint lowlife to name a few. continuing on with this impressive run, roof light is poised to drop the fittingly titled >on the third< ep for phuture shock musik this summer.

70s abba cult album !

edition without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

first 500 pieces only in limited printed sleeve - first come first served. second edition repress will ship at the same time without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

skyline recording is proud to give you sl45020, the first out and out hip hop. plug 1 - >in a flash< representing the forthcoming soundsci formula 99 lp featuring the extraordinary talents of emcee oxygen over an uptempo stormer that will have you shaking that thing on the dancefloor. plug 2 >class in session< taken from u-georges in production lp has a soulful edge and lyrics that will have you thinking for days. soundsci - altanta based emcees audessey and u-george team up with london beatmakers jonny cuba & dj ollie teeba. very limited edition of 300 numbered copies!

mikael stavöstrand (lick my deck, clink, highgrade) spent a few days in berlin recently, so why not get him over to the we are hq and work on some tracks with agaric, right? the boys first track is a deeper bass driven techno track interchanging grooves and eerie strings and percussion arrangements whereas the flipside on this limited 10 inch goes more funky and presents a surprising vocal bit where vealchop out of los angeles asks himself why certain things went the way they did! already tried and tested to excited crowds in clubs like 1001 london, rex paris and tresor berlin...

latest release on rebellion is a superb four-tracker of off-kilter subsonic house from the illustrious pezzner! each cut is unique in its own charm and quirkiness. the two killer cuts on the a side feature the infectious, driving, heady resonance of >one more< and the beautiful, transcendental nature of >try it again< featuring the illustrious nneka gryffyn from apt entertainment. the flip features the piano driven, snake charming >native language< and the staccato sub-ska rhythm and flute-infested genius of >not a good idea<. what a cracking ep! dave released his debut album, the tracks are alive, last year on freerange. he has a plethora of single releases on om, viva and freerange, as well as releases as jacob london (along with bob hansen) on classic & doubledown and countless remixes. already a firm favourite in the rebels camp, this great ep is a feather in daves cap, and is to sure cement rebellion’s burgeoning cutting edge reputation

having subtly seduced us all with their debut single, ants, london based duo elephant return with their second seven inch offering on memphis industries. french-by-way-of-pontefract chanteuse amelia rivas met christian pinchbeck back in may 2010, since when they have been quietly creating some hauntingly fragile songs with a sense of mystery and history that belies their teenage years. so side a, >allured< strips away layers, to produce a pure expression of the confusion of love (and lust). amelias disjointed lyricism speaks of anatomy and of carousels, hinting at both the poetics and mechanics of unrequited desire. and on the aa side >actors<, elephant explore the tension of attention, both the craving to be noticed and the desire to melt away into the crowd.

london based label ism serves up a massive ep with three tracks from russian disco producer volta cab, all of which offer some seriously downtempo grooves. >play on< and >magic in your eyes< nail the classic sub 110bpm disco sound with its lush live instrumentation. however its the shining 80s feel of >hes a bad mutha< that is the most impressive, melding a sleazy vocal with a heart-rending combination of synths and horns. label bosses yam who? offer two remixes, with their version of >play on< a cosmic uptempo version of the original, with an ascending synth bass that elevates the original vocal to new heights. their remix of >hes a bad mutha< adds a similar amount of extra dancefloor kick, removing the originals yearning melody for something a little more forceful.